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第18章 有些事不必太认真The Importance of Doing Things Badly(第1页)

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第18章有些事不必太认真TheImportangThingsBadly

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第二卷最美的快乐生活旋律TheMelodyofaHappyLife

佚名Anonymous

A.WilliamswasblaedatCambridge.AfterWorldWarIheservedasadeimes.Williamswroteseveralbooksourypoetryanddrama,publishedwidelyinjournalsandmagazines,andpublishedsofhisowhefollowiappearedinLondon'sTheOutlookin1923.

&hegreatestthreattoprodubothlayisthefearofdoingthingsbadly.Thisartiefort.ointsoutthattherearemanythingswbadly,andthatourlivesareenridourpersonalitieseheseactivities.Tles,sportsandmusic,arevaluabletomostpeopleinproportioicallytheydothem,ratherthanhowwell.

CharlesLambwroteaseriesofessaysuponpopularfallacies.Idonot,atthemoment,carrythemverymymemory;but,ureacherousservantmisleadsmemoreeventhansheusuallydoes,hedidnotwriteofonepieceofproverbialso-calledwisdomthathasalwaysseemedtometobepeculiarlypernidthissaw,thisscrapofspeciousadvice,thisuntruthmasqueradingaslogiethatIremembertohavehadhurledatmyheadatfrequentintervalsfrommyearliestyhtuptomypresentadvananytimeshaveIhat"Ifathingiswatall,itiswwell"?

&hereamoreuntruthfulwordspokeheworldisfullofthingsthatarew,butlynwell.WasitasageasHerbertSpencerwhosaidtotheyoungmanwhohadjustbeatenhimatbilliards,"Moderateskill,sir,isthesignofagoodeyeandasteadyhand,butskillsuchasyuesayouthmisspent?"Isahplayingsupremelyristantpradappli?

AgainsttheprofessionalplayerIsaynothing;heisapublitertaiher,andbyhisskillinhisparticularsportheatleastfulfillsthefirstsocialdutyofman-thathimselfandhisfamilybyhisoweexertions.Butwhatistobesaidofthecrackamateur?Tomeheseemsoptibleofmankind.Heeardevoteshimself,forthemereselfishpleasureofthething,tosomegame,whichheplaysdayindayout;hebreaksdowarydistiheamateurandtheprofessiouallyhisskilldesertshim,andheleavesbehindhimnothingthatisofservicetohisfellowmen-notabrihed,en,notevenafamilysupportedaedbyhislabor.

Itistruethathehasprovidedeforaumberofpersons,buthehashepluithimselftothetestbywhichwedemaertainershouldjustifyhischoiceofag-thedemonstratiohatthepubliciswillingtopayhimforhise.And,whenhisdayisover,whatisleft,heworld,buttohimself?Nothingbutaisatotten,orisrememberedbystoutgentlemeninclubs.

Theplayiainly,isathingwhiwell.

Butthatdoesisnatall,astheproverbwould,byimpli,persuadeus.Thereisnreeableandsalutarythanplayingagamewhielikes,aangitbadlyihepleasureofeeofahemanwhomihewinsissman-whichobservatioheruleitimpliesisseldomobserved,andparativelyfewpeoplereallyplaygamesforthesheereheplaying.Isthisheprevalendpopularityofhandicaps?Whyshouldweexpecttobegivenpoibethatiherthanourownskill?

"Ah!

but,"myreadermaysay,"thelayerwantstoretsihemaygivethestroergame."Really,Idohatisso.Possible,sometimes,astrongandvaingloriousplayermaywishtogivepoints,ihisviaybethemoreIdonotthihisisthetrueexplanation.That,Isuspect,wasgiveherdaybythesecretaryofalawour,inwhichIplayed."Whyallthisnonsenseofhandiotletusbesquarelybeaten,a?"Iaskedhi"Because,"Hereplied,"ifwedidnotgivehandieofthelessgoodplayerswoulde;Isthatnotathatthemajorityofushavebothrealizedthetruevaluedoingatrivialthingbadly,foritsownsake,andmustneedshaveourmindsbuoyedaoafalsesenseofexce?

&isnotonlysusicallytrivialthingsasgamesthatarewbadly.Thisisatruthwhich,oddlyefreelyofsomethings-butnotofothers-andasathingwhichwearequitettodowillletmeiing.Ag,atitsbest,beagreatart,athingwsupremelywell,thoughitsworth,likethatofalliivearts,islessesevaworksimediumofhumanfleshandblood,ahattheactorcreate-forwhatretativeartistisreallyacreativeartistwinaperishablemedium-isanimpressionupoihtarousedin,themindsofanaudiendisincapableofrecord.

Ag,thee-thoughIhaveochedeversobrieflytheproofofmybelief-beagreatart.Butisaerredfromtakingpartiricalsbythesideratioaotabitofit!

AlynisohingsaboutwhichIamwritihethingsthatarewbadly.

Ahingismusic;butheretheproverbialfallaexertsitspower,asitdoesnot,forsomeobsdunreasoningdisation,inag.Mostpeopleseemtothinkthatiftheyg,orplaythepiano,fiddle,orsackbut,admirablywell,theymustnotdoahingsatall.Thattheyshouldnotindisatelyforcetheirinferiorperformahepubliupontheiraces,Iadmit.Butthatthereis;i;forinferiormusianuntruththatIflatlydeny.

Howmanysonsanddaughtershavenot,withaverysmalltaleheirparehelessfondlyprejudicedearsoftheirfriepleasurewiththesingingofsimplesongs?Thehereestothesiofdissatisfaginglessoaken,and-ifthepupilisofmoderatetalentadisposition-limitationsarediscovered.Andthen,inoften,thesingingisdropped,likeahotpenny.Howmanyfathershavenotbanishedmusitheirhomesbyengtheirdaughterstotakesiahomemaybethefresherfthatwoulddeservebrickbatsataparishcert.

Imaypauseheretohecuriousexthatpeoplewhoanyatbepersuadedtosinginthedrawing-room,oreveh,willwithouthesitationuplifttheirtunelessviousmeetingsorinchurch.Thereisaperfectlygoodandhoionofthis,Ibelieve,butitbelongstotherealmofmetaphysidisbeyoscope.

Thiscursedbelief,thatifathingiswatall,itiswwell,isthecauseofagreatimpoverishmentinourprivatelife,andalso,tosomeextent,ofthelofstandardsinourpubliclife.Forthisteofproverbialfaithhastwoeffealltalents:itleadsmodestpersonshematall,apersoodosotoomudtoforcethemselvesuponthepublic.Itleadstothedecayandofthekeepingofdiaries,and,assurely,itleadstothepublioirsashouldremaiheos;desks.

ItleadsMr.Blanknottowriteversesatall-whichhemightverywelldo,forthesakeofhisoiness,andfortheamusementofhisfriends-anditleadsMissDashtopestertheoverworkededitorsofvariousjournalswithherunsuccessfulimitationsofMr.delaMare,Mr.Yeats,andDr.Bridges.Theresultisthatournationalartistiowsuffersfromtwogreatneeds:Aracticeofthearts,andahigher,moreexclusive,professionalstandard.Untiltheseareachievedweshallhebestoutofoursouls.

&his,Iceive,thatthereisformostofusohing-beyond,ofcourse,ourdutiesofshipandourpersonaldutiesassons,orhusbands,hters,orwives,ormothers-thatiswwell-thatistosay,withally.Thatohiing,oritmaybemakingsteam-engines,bricks.Butafterthattherearehuhingsthatarewbadly,withonlyparty,forthesakeoftherelaxatius,aswhichtheygiveuswithourminds.Andtheslahis,asohehappier,themoreted,themracious,willourlandbe.

Thereareeven,Imaintain,thingsthatareierdohanwell.siderfishing,whereone'swholepleasureisoftenspoiledbyhavingtokillafish.Now,ifonetrivealwaystotrytocatchafish,aodoso,o-Butthatisaory.

威廉姆斯生于英格兰,在剑桥受过教育。

第一次世界大战后,他成为伦敦《泰晤士报》的一名记者。

威廉姆斯写了几本关于18世纪诗歌和戏剧方面的书,发表在各种期刊和杂志上,出版了他自己的诗集。

以下这篇文章最早发表在1923年伦敦的《展望》一书中。

或许,对工作和创作而言,最大的威胁莫过于唯恐做得不好或者害怕做错。

对于这个问题,这篇文章就是一种安慰。

威廉姆斯认为,不必事事较真,这样,我们的生活才能得以丰富,我们的个性才能得以发展完善。

运动和音乐就是两个很好的例子,大多数人都酷爱运动和音乐,它们的确能给人带来乐趣,仅这一点就够了,人们并不需要有多深的造诣。

查尔斯·拉姆写了一系列有关时下谬误的文章。

可惜我一时记不清了。

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